Showing posts with label dwarf. Show all posts
Showing posts with label dwarf. Show all posts

Saturday, July 14, 2007

Movie review: Living in Oblivion

Well, a mini-review. Because kactus is right, Peter Dinklage's rant toward the end of this film is both hilarious and great righteous anger unleashed.

Living in Oblivion is a 1995 comedy about the trials of independent film-making, where everything that can go wrong with a production, does, and yet the project stumbles along. Here's a review of the movie as a whole that captures the comedic angst of the film.

Dinklage plays a dwarf named Tito hired for a goofy dream sequence in the film-within-the-film. Among the many misadventures of completing the dream scene, Tito finally quits in disgust after this tirade with the director:

Tito: Why does my character have to be a dwarf?

Nick: He doesn't have to be.

Tito: Then why is he? Is that the only way you can make this a dream, to put a dwarf in it?

Nick: No, Tito, I...

Tito: Have you ever had a dream with a dwarf in it? Do you know anyone who's had a dream with a dwarf in it? No! I don't even have dreams with dwarves in them. The only place I've seen dwarves in dreams is in stupid movies like this! "Oh make it weird, put a dwarf in it!". Everyone will go "Woah, this must be a fuckin' dream, there's a fuckin' dwarf in it!". Well I'm sick of it! You can take this dream sequence and stick it up your ass!
While I am again waxing on about All Things Dinklage, here's an old review of The Station Agent that appeared in The New Yorker, and here's a USAToday article on short actors in Hollywood.

Thursday, May 31, 2007

Movie review: Tiptoes

Imagine the movie North Country cast with Brad Pitt playing Charlize Theron's role of the woman suffering sexual harassment at work. Not as a man suffering that harassment. Imagine Pitt cast in the part as a woman, without irony or satire.

Or imagine Spike Lee's Do The Right Thing, about an urban cauldron of racial tension, but unironically cast entirely with white actors in the main roles. You know, because the actors are talented and it would be an exciting challenge to portray someone of another race convincingly when the audience is aware of exactly who they, as actors, are. Some of the white cast would need to wear blackface, but it's part of the craft of acting. Right?

Those movies had impressive scripts. But now imagine a film about an engaged couple where the woman gets pregnant but the man hasn't yet told her that dwarfism runs in his family. His twin brother is a dwarf, played in all seriousness by a well-known 5'10" actor.

Yep, the couple (Carol and Steven), an artist and firefighter, are played by Kate Beckinsale and Matthew McConaughey. That's them in the center of the photo for one DVD cover, at left. Gary Oldman, a great actor but 5'10", plays McConaughey's dwarf twin brother Rolfe (Oldman is also 12 years older than McConaughey), always filmed in lumpy clothing to hide the fact he's walking on his knees. He's in the picture at far right. Pictured at far left is Patricia Arquette, who plays Lucy the average-sized lover of Rolfe's weird, bitter French Marxist dwarf friend, Maurice. Maurice is played by Peter Dinklage, an actual little person and fantastic actor.* He doesn't appear anywhere in the photo, or the billing in that DVD cover photo.

Got that? Tiptoes, a movie about dwarfism with all average-size actors playing any character with billing. The secondary characters and extras include dozens of little folks, so it was a very conscious casting choice to not let dwarfs represent themselves in any major substantive character-developed way. And while it's good to see a film about dwarfism, exploring the unique difficulties and cultural events that bring little people together, they remain -- if you'll forgive me -- the sideshow to the average-sized people who spend the film talking about them or, in Oldman's case, acting as one of them.

False representation, however earnest or talented the actor, is still a form of silencing and control. Why shouldn't this be any less outrageous and offensive than blackface? Why is this accepted but we never see a male actor given a woman character for a role?

"Nothing about us without us." It's a disability rights political slogan for important reasons: too often someone else insists on controlling the story to ridiculous degrees.

Oh: I did enjoy little bits of the film. Dinklage was fun to see, and I do like all the actors in the cast. The script was uneven and boring toward the end. Tiptoes premiered at the 2004 Sundance Film Festival, but damned if I know why.


* Peter Dinklage played the lead in the film The Station Agent, which I reviewed here. He's also My Imaginary Boyfriend, so I may be slightly biased when I say he's the best thing in Tiptoes.

Monday, January 01, 2007

Books for the new year

Happy New Year everyone!

Like every book lover I know, I've got a towering (and growing) pile of books waiting to be read. I thought I'd share a brief list of some books from that pile that I plan to read in 2007. All of these are disability-related and currently wedged between my full bookshelf and dresser. If you've already read them, are interested in discussing them, or happen to be the author, this is your heads-up to what I hope will be interesting future discussions here on wherever these books take us.

The Speed of Dark by Elizabeth Moon -- Moon won the Nebula Award in 2003 for this novel told from the perspective of a young autistic man. Normally a writer of military sci-fi, this story apparently differs from the author's usual genre and was prompted because she has a child with autism.

Geek Love by Katherine Dunn -- This will be a reread for me, but I haven't been back to it since I first found it at the fabulous feminist bookstore Women and Children First in Chicago when it was originally published in 1983. An amazing novel about carnival freaks and disability told in first-person by Olympia Binewski, a bald, humpbacked albino dwarf.

Crip Theory: Cultural Signs of Queerness and Disability by Robert McRuer
-- From the Amazon description: "McRuer examines how dominant and marginal bodily and sexual identities are composed, and considers the vibrant ways that disability and queerness unsettle and re-write those identities in order to insist that another world is possible."

Planet of the Blind by Stephen Kuusisto -- Fellow disability blogger Stephen's first memoir.

My Body Politic by Simi Linton -- Author of the excellent Claiming Disability: Knowledge and Identity tells her personal story.

Blackbird Fly Away by Hugh Gallagher -- A personal memoir.

By Trust Betrayed: Patients, Physicians, and the License to Kill in the Third Reich by Hugh Gallagher -- A definitive book detailing the eugenics movement against disabled people in Nazi Germany. Gallagher also wrote FDR's Splendid Deception.

Wicked by Gregory Maguire -- I read this while in the hospital and unable to blog about it. An alternative telling of The Wizard of Oz from the Wicked Witch Elphaba's point-of-view. Disability and physical difference everywhere.

I also hope to read Jen Burke's A Life Less Convenient and Stephen's newest book, Eavesdropping, but I haven't bought them yet.