Friday, April 25, 2008

Girlcott of Seal Press

I've always intended to go back and review one of my favorite disability autobiographies, Connie Panzarino's The Me in The Mirror, which I read back when I was a teenager. But, you know what? It's published by Seal Press, a company that I cannot support or endorse at this time. Not even for Connie Panzarino, who was an amazing white, queer, disabled woman. I haven't found a good online reference on Connie that doesn't reference and quote the book, so I'm just not going to say that much more about her right now.

Someday I hope Seal Press sets this right and I can talk about an interesting book and an empowering woman. Connie Panzarino, that is.

Friday Music: Chavela Vargas

April 17, last week, was the 89th birthday of Chavela Vargas, the legendary Mexican-Costa Rican singer. My friend Penny Richards of Disability Studies, Temple U. moderates a mainly read-only Yahoo group, Born on this Date, that features one important woman in history each day. Here's what she wrote about Vargas:

"Una mujer tiene muchas vidas que vivir. Para hacer muchas cosas y romper parámetros como yo he hecho, hay que ser muy mujer. Después dirá."

[A woman has many lives to live. In order to do so many things and break so many limits, as I have done, one has to be very much a woman. At the end it will be told.]

--Chavela Vargas

Today on our homepage: Mexican-Costa Rican singer Chavela Vargas, born Isabel Vargas Lizano on this date in 1919, in San Joaquín de Flores, Costa Rica. She remembers having polio and being blind during her childhood, but says that she was cured by shamans. She left Costa Rica at age 14, and there she sang rancheras (folk songs) on the streets to earn her living for years. She wore a red poncho and smoked cigars, carried a gun and dressed as a man, to protect herself in such a visible and vulnerable life. She acquired a limp as a young woman--she says she jumped out of a window after disappointment in love.

In time, she became a popular cabaret singer in Mexico, touring the US and Europe, a favorite with the likes of Frida Kahlo (with whom she had an affair, she says) and Diego Rivera. Her stage shows were frank in their sexuality--she dressed in dashing men's clothing and sang songs of seduction to the women in the audience. In 1961, at the age of 42, the first recording of her music was released, Noche de Bohemia. She retired for health reasons in the 1970s, only to return to performing in 1991.

She released an autobiography, Y si quieres saber de mi pasado (And if you want to know my story...) in 2002. In it, she recounted a 15-year bout with alcoholism in the 1960s and 1970s. In 2003, she appeared at Carnegie Hall in New York, in a show introduced by Salma Hayek and promoted by Spanish film director Pedro Almodóvar, a friend. She has appeared in several of Almodóvar's films, and also in the recent biographical film Frida; she also appeared on the soundtrack of that film. She recently appeared in the film Babel, again as a singer.

She was awarded Spain's Great Cross of Isabela la Católica in 2000.

Today is Chavela Vargas's 89th birthday. She lives in Veracruz, Mexico.

She's on YouTube, here are just a few of the many clips there:

http://www.youtube.com/watch?v=duVaGM_JsME (a 2006 live performance)
http://www.youtube.com/watch?v=yQnNY8zMihs (a recent live performance)
http://www.youtube.com/watch?v=yuVjT2Rl7Bg (a 1998 performance for Spanish TV)
http://www.youtube.com/watch?v=0gQ31m4Yt0s (clip from "Frida")
http://www.youtube.com/watch?v=3bBRp-co68I (audio only)
http://www.youtube.com/watch?v=gqHh2U4TSJQ (audio only)
http://www.youtube.com/watch?v=XGESStAwS1k (slide show accompanies audio)
http://www.youtube.com/watch?v=cF6jEclOMcw (slide show accompanies audio)
http://www.youtube.com/watch?v=-mnZcErj-SA (slide show accompanies audio)
http://www.youtube.com/watch?v=6D2e8JMsTho (slide show accompanies audio)
http://www.youtube.com/watch?v=XAIF1IgiLeo (slide show accompanies audio of duet)

http://es.wikipedia.org/wiki/Chavela_Vargas
http://en.wikipedia.org/wiki/Chavela_Vargas
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:br63mps39f8o
http://www.afterellen.com/archive/ellen/People/2005/1/chavelavargas.html
http://www.afterellen.com/archive/ellen/People/2005/1/chavelavargas2.html

http://www.glbtq.com/arts/vargas_c.html

See also:

Yvonne Yarbo-Bejarano, "Crossing the Border with Chabela Vargas: Chicana Femme's Tribute," in Sex and Sexuality in Latin America (NYU Press 1997). A shortened version is online here:
http://www.lolapress.org/artenglish/chabe13.htm

Happy belated birthday, Chavela!

For another fan of Chavela's, Brownfemipower, whom I miss very much.

Thursday, April 24, 2008

Check out Disability Blog Carnival #36

The latest Disability Blog Carnival is now up at Abnormal Diversity where the theme is Abuse. I submitted a post on something that happened to me about two years ago, and there's much more to read on the topic. Check it out.

Disability Blog Carnival icon of Frida KahloThe next Disability Blog Carnival will be on May 8 at CripChick's. The theme will be Disability Identity and Culture. From CripChick:

Here are some topic ideas!:
• What is disability identity? If you are disabled, do you feel disability is a part of you and your experience?
• What is disability culture to you? How do you put it out there or live it every day?
• Does disability intersect with your other identities (i.e. queer person, person of color, person of faith, etc.)?
• Is pride, community, or the Disability Rights Movement important to you? Why or why not?
• How do you feel about the word disabled? Is it a political term with power to you or do you despise it?
• Do you see disability outside of a rights framework (i.e. is disability something that is more than advocacy to you?)
• If you identify with the autistic acceptance movement, the deaf community, or other groups, how do you feel about disability? Many people do not want to associate with the disability community— how do you feel about this?
• Have you felt alienated [left out] from the disability community because of racism, exclusion because of your disability, the media or other factors? How has this affected your identity as a disabled person?

And some topic ideas for allies:
• Why is disability important to your work or politics?
• How do you feel about the Disability Rights Movement and what would you say to activists who downplay this movement or even disability as an important social justice issue?
• How do you see disability intersecting with feminism, reproductive justice [movement that focuses on ALL people having ALL control of their bodies], and other movements that work to end oppression?
• What do you see in your role as an ally?

CripChick also provides a list of resources for anyone wanting to bone up on the topic before participating. Deadline for submissions is May 4. The carnival submission form is available here, or leave a comment with your submission's link at CripChick's, or email her with the info at consciouslycrip [at] gmail [dot] com.

Other recent Disability Blog Carnivals have been at Reimer Reason on the theme of The Hardest Part, Andrea's Buzzing About on Breaking Out, Wheelie Catholic on Appreciating Allies, and Sunny Dreamer on Standing Outside the Fire.

Image description: The icon above, provided by CripChick for the upcoming carnival at her place is a color image of a self-portrait by Frida Kahlo with the words "DISABILITY BLOG CARNIVAL" in bold black type across the painting. The image is a close-up of Frida in her wheelchair from the 1951 painting "Self-Portrait with Portrait of Dr. Farill" described in detail in both English and Spanish here.

Cross-posted at Alas, A Blog

Tuesday, April 22, 2008

Participate in the 3rd Annual Blogging Against Disablism Day, May 1, 2008

Blogging Against Disablism Day, May 1st 2008

It's time to be BADD!

Once again, the amazing Goldfish is sponsoring Blogging Against Disablism Day on May 1st. BADD is an annual event where disabled and non-disabled bloggers everywhere write about ableism, disablism and disability prejudice and discrimination.

Last year over 170 bloggers contributed. I've been proud to be a part of this the past two years and I can't wait to see what everyone has to say this year.

Details on how to participate are at Diary of a Goldfish, including a notice of Language Amnesty. Goldfish explains:

You can write on any subject, specific or general, personal, social or political. In the previous two BADDs, folks have written about all manner of subjects, from discrimination in education and employment, through health care, parenting, family life and relationships, as well as the interaction of disablism with racism and sexism.
It's a good chance for allies to get their feet wet on a topic they might be hesitant to address, I think. Hope to see you there.

(Image description: The above logo for Blogging Against Disablism Day is one of several available --easy copy-and-paste code -- at Goldfish's. This one is a square divided into a headline naming the event and a grid of 20 colorful boxes, each featuring the simple shadow of a person, with one box showing a person using a wheelchair and one other person holding a cane.)

Monday, April 21, 2008

The Russian

On my first night at the rehab hospital, I was about as vulnerable as a person can be. I'd been in the ICU at a different hospital for a month. I had a new tracheostomy and was using it to breathe with a ventilator -- a new and frightening experience for me. I also had a new feeding tube, a PICC line, a catheter for urinating, and I'd barely been out of bed for that whole month.

I was weak and unable to speak. I communicated by writing on paper, which required the absolute cooperation of whomever I was communicating with. Basically, they had to consent to let me "speak" by handing me paper and pen, then waiting for me to write my message. (BTW, this procedure is the reason I am kinder to spelling errors -- my own and everyone else's. Spelling used to be a pet peeve. Ah, the luxury.)

Leaving the ICU, I chose between two rehab hospitals that I knew nothing about. My parents visited each and each sent representatives to meet me, "assess" me and lobby hard for me to choose their institution. I made a wild guess, choosing the hospital farthest from my home and requiring almost an hour's more commute each way for my parents as they came to see me most every day for the next three months.

It was the right choice. I ended up at place filled with amazing, dedicated people. But that first night was terrifying. And not just because of my own uncertainties.

I've got a knobby little tailbone that sticks out. I've never ever had a pressure ulcer (also called a "bedsore" or decubitus ulcer) anywhere on my body, including my tailbone, in part because I've spent quite a bit of time lobbying on it's behalf every time I put my body into strangers' hands, lay on a hard x-ray table, or require other people's assistance in keeping it healthy. For my four months in the ICU and rehab that meant an inflatable mattress on my hospital bed and frequent repositioning.

Sometime during my first night at the rehab hospital, I woke up needing help to roll over, a rather complicated process when I was so weak and had so very many tubes to avoid yanking. I rang the bell for help and a nurses' assistant showed up. I forget her name, but she had an accent so I'll call her "The Russian" as I did at the time to family and friends.

She understood I needed to be repositioned and she told me she needed to go get another person to help. It is commonly a two-person job in acute care settings and may even be required procedure, but when she didn't return and my butt began to ache badly from laying in one position too long, I rang the bell again.

The Russian returned alone to tell me she was trying to get help, then left again. I don't know exactly how much time passed, though it was easily 30 minutes since my first call for assistance, and it may have been as long as an hour. My butt was throbbing painfully now, sparks of nerve pain shooting down my leg. In desperation, I spent significant energy wrestling the pillow wedged behind my back away enough that I could shift slightly and ease the sharpest of pain to buy some time.

Shortly after, The Russian returned. Again alone. She saw the pillow had been moved and began berating me: "Why you bother me? You don't need help! You did this yourself after bothering me? If I catch you ever moving by yourself again don't expect me to do anything for you!"

I had no opportunity to tell her what I was thinking: "You will too frakking help me! That's your job! $ & % #*&!"

In order to reply, she would have had to agree to handing me my paper and pen, and she either didn't understand that's what I wanted or she purposely refused. It was a long fearful first night after that, not knowing if help would come if I needed it (for repositioning or breathing or whatever), and for the next many nights until I learned that her behavior was not typical of the institution or people working there.

In the morning when my parents arrived, I told them all about The Russian, writing the incident out for them in detail. I didn't take it further than that and neither did my parents.

Why? Because I didn't yet know if she ran the night shift, if others held her view and I was stuck somewhere where being the squeaky wheel might further endanger me. Because I was immersed in trying to get my primary doctor to hand me the paper and pen instead of telling me about my care and walking out the door. Because the speech therapy folks were busy giving me cognitive tests and asking things like if I knew where the window in the room was. Because in addition to my serious health issues I had one giant communication problem with getting people to treat me as an aware, active participant in my own recovery. Because the principle and all-consuming job in being an inmate in any institution is self-defense, just keeping well-meaning professionals from accidentally making you sicker.

My parents were equally immersed and could certainly have reported the incident, but when the abuse didn't recur, we all ended up focusing on the next most emergent issue. And there were dozens of them.

Was The Russian just having a bad night? Maybe. But I think she was hazing me. Three long months later, on the night before I came home, she stepped into my room to tell me what a pleasure of a patient I'd been. "No trouble." Compliant, she meant, of course. Less needy than other folks. There hadn't been a night for those whole three months that I hadn't been acutely aware of whether or not she was on duty.

The most disturbing part of this story is that I didn't tell her supervisors, right? I was conscious, had by wits about me (more-or-less), had caring family visiting daily, and knew at the time it happened that she was being abusive of her power over me. But this is how institutional abuse starts, why there is space for it to lurk even at excellent institutions. I was busy surviving and her behavior was only one of the many scary things I was subject to.

What would have happened if I had told her supervisors? Would I have been believed? Would I still have been subject to her care after essentially threatening her job? Were there a dozen other employees like her I just hadn't met yet who would hear I was "troublesome"?

What if I hadn't had any visitors to tell, providing, as my parents did, psychological assurance that further abuse could be responded to? What if I had been unable to communicate any of this to anyone, as was true for many of the people in rooms adjacent to mine?

Abuse doesn't really need much space to thrive, and it needs even less to occur only once. Probably not everyone would consider this abuse. But it was a verbal threat to deny me assistance while lying helpless in a bed from someone charged to show up if, say, my ventilator quit giving me air. Like any sort of intimate violence (domestic violence, date rape, etc.), violence against disabled people is contextual and opportunistic and can happen to anyone.

Sunday, April 20, 2008

Spring: w00t!

This winter has been longer than I could stand, but spring seems to finally have taken over. The subzero weather and endless snow has kept me indoors much more than I expected, and I stopped blogging for a while there as a way of spending less time in my own head while cooped up indoors.

Thanks to the people who emailed me with concern for my absence here. I'm good, and I promise to not go missing again without noting I'm on hiatus.

Saturday, March 22, 2008

Yeeeeaay!

This makes me happier than I can possibly say.

Monday, March 03, 2008

Planning health care in a disaster

From the Sacramento Bee:

Older, sicker patients could be allowed to die in order to save the lives of patients more likely to survive a massive disaster, bioterror attack or influenza pandemic in California.

It's not how nurses and doctors are accustomed to doing things, nor how Californians expect to be treated. But it is part of a sweeping statewide plan being praised for its breadth, even as it rankles providers who will have to carry it out.

The new "surge capacity guidelines" released by the state Department of Public Health, depict a post-disaster health care environment that looks and feels nothing like the system most Californians depend on.

It provides for scenarios in which patients could be herded into school gymnasiums for life-saving care or animal doctors could stitch up the human wounded and set their broken bones.

The 1,900-page document lays the practical – and ethical – groundwork for local and county health departments, hospitals, emergency responders and any able-bodied health care worker likely to be called upon in a catastrophe.

Striking in its specificity and its frank focus on the need to suspend or flex established laws and to ration health care, the plan is being hailed as a model for the rest of the nation.

You really need to read the whole thing to get a sense of how the plan would simultaneously limit patient protections and provide freer access to care.

Cross-posted at Alas, A Blog


Friday, February 29, 2008

Praying with Lior

I've heard good things about a new documentary film, Praying with Lior, only opening now in a few cities and playing primarily at Jewish film festivals. From the film's website:

An engrossing, wrenching and tender documentary film, Praying with Lior introduces Lior Liebling, also called "the little rebbe." Lior has Down syndrome, and has spent his entire life praying with utter abandon. Is he a "spiritual genius" as many around him say? Or simply the vessel that contains everyone’s unfulfilled wishes and expectations? Lior – whose name means "my light" — lost his mother at age six, and her words and spirit hover over the film. While everyone agrees Lior is closer to God, he’s also a burden, a best friend, an inspiration, and an embarrassment, depending on which family member is speaking. As Lior approaches Bar Mitzvah, the Jewish coming-of-age ceremony different characters provides a window into life spent "praying with Lior." The movie poses difficult questions such as what is "disability" and who really talks to God? Told with intimacy and humor, Praying with Lior is a family story, a triumph story, a grief story, a divinely-inspired story.
It sounds like this could go either way, right? The stereotyping of a child with Down syndrome as closer to God than the rest of us, an inspiration or a burden are themes on developmental disability we've heard many times before.

But filmmaker Ilana Trachtman's motivations as reported by Devorah Shubowitz at Media Rights reveal complexities behind the intent of the documentary:
As Trachtman struggled to focus during a Rosh Hashanah service at Elat Chayyim, a multi-denominational Jewish retreat center in the Catskills, she was mesmerized by the soulfully attentive off-key voice that came from behind her. When she saw the source, a boy with Down syndrome, she was shocked. Lior's praying shattered her expectations of what people with disabilities can do. "He amazed me. He could do something that I can't do -- pray with real concentration in Hebrew and in English. So I stalked him because of my own spiritual curiosity." When Trachtman heard Lior was going to have a Bar Mitzvah, she thought somebody should tell his story on film and shortly after, she decided to be that person....

Audiences may debate whether this photogenic young person's "star quality" sets him apart from other people with disabilities. Some may argue that Lior's integration is dependent upon his recognition by and attractiveness to non-disabled society. Others may think his charisma is connected to his disability. The film certainly brings to the foreground issues of the aesthetics of disability, and non-disability, in film.
Another review at Cinematical also suggests that disability is just one (important) facet of this complex family story about love and religious faith.

Cross-posted at Alas, A Blog

Update: Casting director fired from "Shelter" flick

According to the AP:

A casting director for the horror thriller "Shelter" has been fired after West Virginia Gov. Joe Manchin's office objected to what it termed an insensitive casting call for extras with unusual features that might look inbred.

Donna Belajac Casting's Web site initially advertised the scene as being set in a "West Virginia 'holler,"' but producers Emilio Diez Barroso and Darlene Caamano Loquet said the movie is not set in West Virginia and the state will not even be mentioned.

"On behalf of the entire SHELTER production we regret and are deeply sorry for the very insensitive casting call sent out without our knowledge by our casting director Donna Belajac who has been dismissed from this project as a result," Barroso and Loquet said in a statement issued Tuesday night.
I don't care one way or another about Belajac's firing. It's not a victory for disability awareness if all the brouhaha was because it was offensive to suggest people of a geographical region all look abnormal or disabled. It was the association with abnormality everyone was upset about, not any assumptions about the worth of people who aren't picture perfect.

The movie studio will hire someone careful to not attribute the abnormal "inbred" look of its scary characters to a particular place, and we're all supposed to be placated by that. Rest easy. Be assured that the scary folk in the movie are not "us" and we are not "them."

See previous post here.

Wednesday, February 27, 2008

Pedro Guzman sues government

From the AP story:

"I will never forget what Peter looked like when he finally returned to the U.S. — exhausted and in terrible shape," said Guzman's brother, Michael. "Peter's life is forever changed by what his government did to him."

His lawsuit, which seeks unspecified damages, was filed in federal court in Los Angeles by the American Civil Liberties Union on behalf of Guzman.

"Not only does Peter and his mother want some vindication, they want to make sure immigration officials understand they can't do this," said attorney Jim Brosnahan, who represents Guzman. "They should have apologized and said they would take steps to make sure this doesn't happen again."

A statement released by Immigration and Customs Enforcement, a branch of Homeland Security, called the incident a "one-of-a-kind case" and added more than 1 million illegal immigrants have been deported since the agency's inception.
See other posts on Guzman here and here.

Cross-posted at Alas, A Blog

Latimer paroled

Through the appeals process, the decision to deny Robert Latimer parole has been overturned:

After seven years in prison for killing his severely disabled daughter, Robert Latimer will be freed on day parole this week.

The appeal division of the National Parole Board this afternoon overturned a parole board decision last December that rejected Mr. Latimer's bid for parole.

The appeal division, following a month-long review, concluded Mr. Latimer does not in fact pose an undue risk to reoffend.

....

In its decision in December, a three-member panel of the parole board concluded: “You could not or would not describe the feelings or thoughts underlying your actions at the time of the offence.... You appear satisfied with the position that you and only you were able to determine her life or death, describing such decisions as beyond the law.”

The appeal division, however, found that although Mr. Latimer was at times unfocussed, he was not unwilling to answer their questions.

“The Appeal Division finds that the Board's determinations in this regard are unreasonable and unsupported. Your responses at the hearing reveal that you did in fact demonstrate insight and were able to explain why you decided to end the life of your daughter.

The appeal division has applied two conditions to his parole: Mr. Latimer cannot have responsibility for, or make decisions for, any individuals who are severely disabled.

See previous post on Latimer here.

Cross-posted at Alas, A Blog

Tuesday, February 26, 2008

Hollywood casting call for that "inbred" look

From the Pittsburgh Tribune-Review (bolded italics are mine):

The announcement -- which was sent out in a news release and posted on the casting company's Web site -- asked for people with the following attributes:

"Extraordinarily tall or short. Unusual body shapes, even physical abnormalities as long as there is normal mobility. Unusual facial features, especially eyes."

The announcement requests "a 9-12-year-old Caucasian girl with an other-worldly look to her."

"Could be an albino or something along those lines -- she's someone who is visually different and therefore has a closer contact to the gods and to magic. 'Regular-looking' children should not attend this open call.'"

Asked if she felt the characterization might be offensive to West Virginians, [Donna] Belajac [of Donna Belajac Casting] said: "We tried to word it in a way that's not offensive. I hope it's not an offensive thing. It's not meant to be a generalization about everyone in West Virginia. That's why we put that it's in a 'holler' in the mountains."

....

"It's the way it was described in the script," Belajac said Monday. "Some of these 'holler' people -- because they are insular and clannish, and they don't leave their area -- there is literally inbreeding, and the people there often have a different kind of look. That's what we're trying to get."

Belajac said the announcement was not meant to stereotype people from West Virginia. But state officials and a history professor called it "unfortunate" that such unfair views of people are being repeated.

"They clearly are not trying to create the image of a quaint, homespun mountain family," said Kevin Barksdale, assistant history professor at Marshall University in Huntington, W.Va. "Clearly, what they're trying to establish is this notion of the hillbilly monster."

The above casting call is for an upcoming horror film called "Shelter" starring Julianne Moore.

The following one is for a movie version of Cormac McCarthy's The Road starring (ATTN: Brownfemipower!) Viggo Mortensen and Charlize Theron:

It's set in a post-cataclysmic America. The few survivors who were not seared by an unspecified fiery disaster are divided into two classes -- barbaric cannibals or their prey.

Men and woman ages 18 to 50 are needed for eight speaking roles and 30 extras.

Producers are looking for people with minimal muscle tone, long stringy hair and a starved, ravaged appearance. They need men capable of growing a full beard.

Also needed: a thin man of any ethnicity who is missing one or both legs. No previous acting experience is needed for this role.

I have a deep, unnatural love for post-apocalyptic fiction, and I recently read McCarthy's Pulitzer-prize-winning novel and found it as riveting as anything I've ever read. I think McCarthy is the great American author living today, and at least one character in another novel of his has had provoking things to say about disability/deformity. (That excerpt from All The Pretty Horses was one of my 2006 blog posts.)

Regarding these casting calls for the unusual, extraordinary, irregular and inbred, I certainly don't have any problem with disabled actors being part of Hollywood. Bring them on, please. But give them roles with humanity and lives beyond their physical attributes.

The movie "Shelter" is clearly working on the theory that physical oddballs and country hicks are effective monsters that provoke horror for their film. When will we get over this? When will the insult of collecting unusual-looking people be seen as complicated and problematic in and of itself and not just because it might suggest insulting things about a geographical region or particular tribe of people?

Notice also, the odder the better, so long as you have no trouble with mobility. That's pretty specific. What's that about? My guess is they've fine-tuned their idea of the grotesque to mean physically strange, but they don't want any mobility aids distracting from the impact of that strangeness. Or maybe they need creepy people capable of chasing the star?

Thanks to Grace for providing the link to the news article.

Friday, February 15, 2008

It's an honor. . .




Over at A Creative Revolution, The Gimp Parade has been nominated for a Canadian F-Word Blog Award under the category of Best International Feminist Blog. (Thank you, Matt Bastard for the nomination.)

Disability blogs and the blogs of many of our great allies are well-represented throughout the categories. Competing with me in the same category, for example, are Bint's My Private Casbah, Daisy's Dead Air, As The Tumor Turns (Lymphopo/Grannie has kicked cancer's ass so seriously she's decided she doesn't need to blog about it anymore for now, btw), and Ms. Crip Chick, as well as many other people I love and blogs I love to read. Elizabeth's Screw Bronze! is nominated under Individual Blogs.

The first round of voting is now -- February 15-16. The final round of voting will be February 22-23 with winners announced on the 24th. To vote, go to the main nominations page and follow each link on the right sidebar to vote in each category.

And while you're over there, check out A Creative Revolution's fundraising initiative for WISE:

WISE (Wellbeing through Inclusion Socially and Economically) is one of many organizations who have been mightily screwed by Canada's Eww Government's cruel and unnecessary cuts to the SWC, because of the need to toss some raw meat to their socially conservative, classist, anti-woman base. WISE needs your generous help more than ever to continue providing leadership, training, awareness, and advocacy for low income women across Canada.

We know that you would help women in need out of the goodness of your heart - there is no doubt about that. However, to sweeten the deal, we have added a super-fantastic raffle which will entice you to give more!
Many disabled women are in the low income category of women WISE seeks to assist, of course. If the joy of voting for some of your favorite bloggers doesn't encourage you to make a small donation, maybe ACR's prize to the winner of a raffle for donators will get you interested: "It's a pair of fabulous, bodacious, hand-knit Teutonic Titpillows!" (Visual description of the image at the fundraising post link: Just what you might imagine. Two hand-knit plump-but-perky white-girl boobs.)

Tuesday, February 12, 2008

Cop dumps quadriplegic man out of his wheechair

The story:

Police Suspended for Wheelchair Dumping

TAMPA, Fla. (AP) — Four Hillsborough County sheriff's deputies have been suspended after purposely tipping a quadriplegic man out of his wheelchair at a jail, authorities said Tuesday.

Orient Road Jail surveillance footage from Jan. 29 shows veteran deputy Charlette Marshall-Jones, 44, dumping Brian Sterner out of his wheelchair and searching him on the floor after he was brought in on a warrant after a traffic violation.

Sterner said when he was taken into a booking room and told to stand up, Jones grew agitated when he told her that he could not.

"She was irked that I wasn't complying to what she was telling me to do," he told The Tampa Tribune.

"It didn't register with her that she was asking me to do something I can't do."

Jones has been suspended without pay, and Sgt. Gary Hinson, 51, Cpl. Steven Dickey, 45 and Cpl. Decondra Williams, 36 have also been placed on administrative leave pending an investigation, sheriff's spokeswoman Debbie Carter said.

"The actions are indefensible at every level," Chief Deputy Jose Docobo said. "Based on what I saw, anything short of dismissal would be inappropriate."

He said the officers' actions were an aberration.



Yes, just another story documenting the callous abuse of power by law enforcement. Unbelieveable, but... not, right?

But it's also an example of how inept the media is at covering disability. The Associated Press headline: "Police suspended for wheelchair dumping"

"Wheelchair dumping" is ambiguous, obnoxiously imprecise, and goes for the shock value at the expense of even mentioning the victim involved. "Man dumped from wheelchair by cop" would have preserved the news shock value while also speaking the truth.

In any case, "wheelchair dump" has another meaning. "Dump" (also known as "rake" or "squeeze") refers to the seat angle on a wheelchair. To a seasoned wheelchair user, a story titled "wheelchair dumping" suggests discussion of the intricacies of butt comfort, balance, and leverage to push oneself. To a wheelchair user, the headline is not only insulting, it makes no sense.

The video of the abuse shows the police officer walking behind the man in the wheelchair and abruptly tipping the chair forward so the seat is at much more than a 45-degree angle from normal. Sterner attempts, briefly, to hold onto the arms before falling forward head first and landing hard on the floor. He is then rolled around on the floor and searched before being placed roughly back in his chair. The TV news report showing this video includes footage of Sterner outside, wearing sunglasses and using his arms and hands with some difficulty. He explains to the news camera that he has no feeling from the chest down and did not know at first how badly he was injured from the fall, but thought he might have broken some ribs.

Sunday, February 03, 2008

RIP BrainHell

Self-portrait photo of BrainHell in bed with a dozen electrode sensors attached to his head













BrainHell died yesterday. He was a husband and father of two on an inevitable journey with ALS.

Image description: A color photo taken by the subject, his arms outstretched to hold the camera for a head-and-shoulders shot. He's a man in his 40s, dark hair, intelligent brown eyes with very arched brows. BrainHell wears a dozen electrode sensors on his forehead, ears and in his hair, with a halo of multi-colored wires encircling his head.

He was honest. Insufferably honest, sometimes. He used his blog to record random personal thoughts and childhood memories, share frustrations about his failing body, provide instructions for his nursing care as his ability to communicate became more difficult, leave love notes to his family, and express anger too.

I was an inconsistent but devoted reader of his blog, and to my knowledge, he never specifically wrote about "disability rights" or "crip culture," but he lived the experience and shared it organically, apolitically. Just two weeks ago, a typical BrainHell entry on the tricky dynamics of intimate personal assistance:

he started out being my best night caregiver. he calls me 'the best in the west' sans irony, and agrees when i say i respect him and would never play games. but once i am helpless in bed, his anger mounts as he accuses me of ringing the bell to toy with him. it frightens me. l wonder if he knows that when he does this, he is acting like the mean rich people told me about. i want to work with him, not ask the agency for someone else.
BrainHell wrote often about inadequate care but, as with everything, he never really bothered to return and provide closure of any kind to the problems or speculations he shared with readers. He was writing about uncertainty anyway, and it would have been an indulgence to readers if he had. I don't believe that was his style.

His Amputation Derby entry of about three years ago seems especially poignant now:

Here's a fun game: what body part would you be willing to part with in exchange for being thereby cured of ALS?

You might think I'd give up an arm and a leg quite happily so that I would not DIE! But people are always trying to get the best deal for themselves, always scheming and calculating...

See, I have this gut feeling, perhaps totally foolish, that I will live long enough to witness a treatment that will stop the progression of the disease.

So, since a stop-cure is coming anyway, why lose a foot over it? OK, actually, maybe losing a foot today would be worth it because, who knows, in five or 10 years when the cure comes around, I may no longer be able to stand up. So yeah, in that case, it might be worth it.

I would never have described him as an optimistic guy. He wasn't hopeful -- just living fully within the grim uncertainties of ALS.

For some time now, his blogging has been brief, often riddled with uncorrected typos, and less frequent. His last words for us, offered posthumously:

ok i'm dead. so what? i partook of much wonder and beauty. you should be so lucky!

We were lucky to have known a bit of him. RIP BrainHell.

Read Bint's memorial.

Tuesday, January 22, 2008

Disabled in Gaza

From a Reuters report:

By Nidal al-Mughrabi

Reuters - Monday, January 21 02:02 pm

JABALYA, Gaza (Reuters) - Ready to act fast to save his life, Maher Al-Assali's young siblings stand at his bedside, poised to pump air through a hole in the 12-year-old's neck when the ventilator that keeps him alive cuts out.

Since being paralysed in a car accident seven years ago, Assali has depended on a mechanical ventilator to supply his lungs with oxygen. During the electricity blackouts that have plagued the impoverished territory for months, his family used to hook the machine up to a generator at a nearby clinic.

But Israel has cut fuel supplies to Hamas-run Gaza as part of sanctions it says are meant to stop militants firing rockets across the border. The clinic generator has shut down. So now, when the power grid fails, Assali's family keep him alive with a rubber hand pump.

"I am afraid," said the boy in a voice that was barely audible. "I could suffocate while asleep if the electricity suddenly goes off, I am afraid to die."

Gaza City plunged into darkness on Sunday night when the enclave's only power station shut down after Israel closed the borders and cut fuel supplies. The Jewish state has vowed to keep up the restrictions until militants stop firing rockets.

The plant supplies about 30 percent of the Gaza Strip's electricity but almost all power to the main city, where about half the territory's 1.5 million people live. The European Union and United Nations have urged Israel to lift the blockade.

The residents of Jabalya in northern Gaza still have some electricity but Assali's father said power usually cuts out several times during the day and night.

Hamas Islamists who refuse to renounce violence and recognise Israel seized control of Gaza after routing Palestinian President Mahmoud Abbas's Fatah forces in June.

Since then, Israel has opened U.S.-backed peace talks with Abbas but has shunned Hamas and isolated the Gaza Strip.

Clinics and hospitals in Gaza halted all but the most urgent surgery on Sunday for lack of power, and thousands of factors have stopped work. Shoppers have been stockpiling food.

Khaled Radi, spokesman for the Hamas-run ministry of interior, said hundreds of sick patients were at risk because there was no fuel to power generators. He said vaccines for children may soon go off because they cannot be kept cold.

Assali's family say they try to keep someone at his bedside at all times in case the
power cuts out. His eight brothers and sisters and even his cousins help out.

"I'm giving him some oxygen," said his 13-year-old brother Udai as he squeezed the rubber pump in his fist. "I don't want him to die."

Monday, January 21, 2008

Things that crack me up #37

This is a the latest of a series at my blog, usually consisting of an amusing visual image about disability. Visual descriptions are meant to both assist those who cannot view the image well, and encourage discussion when others see something different.

Braille webcomic
















Visual description: A one-pane comic, drawn very simply. A stick figure stands next to a sign posted on a wall that reads "Third Floor Office" with some Braille just below those words. At the top of the comic: "I learned to read Braille a while back, and I've noticed that the messages on signs don't always match the regular text." The stick figure touching the Braille signage has a thought balloon translating what she reads: "S-I-G-H-T-E-D P-E-O-P-L-E S-U-C-K ... Hey!"

Comic source

h/t to Andrea at Andrea's Buzzing About

Cross-posted at Alas, A Blog

Wednesday, January 16, 2008

Grand Rounds: Briefing the Next U.S. President

The latest Grand Rounds, a weekly carnival on medical and health blogging, is a collection around the theme of "Briefing the Next U.S. President." Check it out at Sharp Brains.

Cross-posted at Alas, A Blog

Tuesday, January 15, 2008

How does this political ad compare to that Nike ad?

The recent Nike ad featuring Paralympian basketball player Matt Scott generated lots of discussion here recently. Here's a political ad (link leads to YouTube video which is also described and embedded below) for an Oregonian candidate for Senate that has some things in common with the Nike ad: Both ads feature disabled men, both ads use disability and stereotypes of it to sell their message, both feature camera angles that highlight physical difference. Both use humor. Both feature the disability as a visual surprise at each ad's conclusion.

What do you think? Apart from what I would expect is a general preference for basketball over politics, do you like one ad more than the other? And why?

Here's an article in The Oregonian about Democratic U.S. Senate candidate Steve Novick, his campaign and how it demonstrates progress for the electability of disabled political candidates.

Description of the video from the article:

The Novick ad is a takeoff on the old TV game show "To Tell the Truth" in which three people all claim to be the same person, and it's up to a panel of celebrities to figure out who's the real one. In the ad, three tallish, handsome, buttoned-down actors claim to be Novick, then the camera pans to Novick himself -- or the tip of his head.

"I don't look like the typical politician, but I won't act like one, either," Novick says in the ad. "I will fight for the little guy."